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Happiness doesn't come by itself, but you need to embrace it first. Know what you have never done, think what you will go, and you will go. Always create, achieve in everything, and make progress everywhere. Enjoy life as love gathers, and Weihai love gathers with you! Love knows the world, and be good at improving yourself! Those who love come back, and those who are blessed come back! May you have a happy life! A joy and a worry are all in the heart, and only music can solve a thousand worries. Zhihu Search Five Blessingg Love Gathering to learn more exciting content!The power of continuing dreams and inheriting missions.Positive mentality and value remolding in adversity

Positive mentality and value remolding in adversity-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.Image and ideographic level

Artistic technique levelThe power of continuing dreams and inheriting missions."Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem: